History

Founders and Early Years

Wolf-Gordon was founded in 1967 by four highly motivated sales executives from Gilford Fabrics: Mel Wolf, Bernie Gordon, Tony Prota, and Frank Carr. They struck out on their own with the intention of building a distribution company for vinyl wallcoverings, a product that was growing rapidly in commercial design markets. Mel and Bernie knew each other from the elementary school they attended on the east side of Manhattan; and Tony and Frank were Gilford’s very top salesmen. Their wives—Dottie, Reva, Betty, and Frances—joined in the venture, working in the Company’s original offices at 132 West 21st Street, in Manhattan. The combination of friendship, experience and determination among the four partners would serve as a solid foundation for Wolf-Gordon’s growth.

The post-War economy was strong in the late 1960’s and early 1970’s as Wolf-Gordon expanded from its New York City base into major markets up and down the East and West Coasts of the United States. From working with a primarily independent sales rep network, Wolf-Gordon gradually shifted to a salaried sales force that strengthened its relationships with interior designers.

In the early days, stipples and faux grasscloth looks were extremely popular in corporate offices and brokerage firms, Wolf-Gordon’s major end-users. The Company also offered wood veneers and suede wallcoverings that took on more importance in the late ’70’s and ’80’s. Buccaneer Suede, a faux suede vinyl wallcovering, was one of Wolf-Gordon’s best sellers. Custom wallcoverings were offered from the Company's beginning, whether it meant creating a wall pattern out of a logo or designing a new, site-specific pattern from scratch. In fact, Wolf-Gordon pioneered a “kit of parts” screen printed collection of ten patterns developed by Patty Madden in 1982, called “Metropole.”


The Second Generation

Rick Wolf, David Gordon, and Rob Wolf worked at Wolf-Gordon during summer vacations as they were growing up, pulling samples and messengering them to design firms in Manhattan. Rick and David started their careers after college in what might be the toughest job at Wolf-Gordon—Customer Service. They rotated through several departments with David eventually focusing on all aspects of Product Development, and Rick learning from his father, Mel, what it took to become a chief executive. Rob gravitated toward the financial aspects of running the Company. When Bernie and Mel retired from Wolf-Gordon in the 1990’s, Rick became President and CEO, David was named Executive Vice President, and Rob became Chief Financial Officer.

The generational change brought a renewed entrepreneurial spirit and determination to grow Wolf-Gordon. In 1997, a new team of sales and creative executives joined the Company, bringing with them fresh strategies for designing, communicating, and selling. The sales force grew by 50% and expanded into all major markets throughout the United States, in addition to representation in parts of the Near and Far East. Wolf-Gordon also began to sell Scuffmaster Architectural Finishes, thus adding the category of specialty paints to the product line.


Design as the Driver

Palmrail, PRL 6-2300 | Rain, RAI 6-2205
full screen

By the turn of the 21st century, Wolf-Gordon was fully engaging with design in an ambitious manner. Licensed design collections by Laurinda Spear, Karim Rashid and Petra Blaisse infused strong graphics, color, and character into Type II commercial wallcovering. Patty Madden’s micro-engraved textures brought new depth and luxury to the category. Wolf-Gordon’s graphic identity, trade show booths, advertising and sales presentations rounded out the Company’s commitment to design.

NeoCon 2012
full screen

In 2012, Wolf-Gordon initiated a sculpture project in the Merchandise Mart, Chicago, during NeoCon®. That year, and in each subsequent year, the Company has designed, fabricated, and installed diverse, product-clad structures that celebrate the building’s civic space, during the NeoCon trade show. Focusing on concept and process, the sculptures serve as a unifying theme for year-long advertising campaigns that track the early “sketches” of the sculpture through to photographic based close-ups of the finished installation.

In addition to Wallcovering and Paint, Wolf-Gordon began offering Upholstery and Drapery textiles, as well as Wink clear dry erase coating, in 2012. Expansion into textiles has opened up a whole new landscape of exciting product development for Wolf-Gordon Design Studio; and a reinvigorated WG Customs Lab is working to design unique, site-specific wallcoverings that perfectly match interior designers’ artistic visions.

New wallcovering and upholstery designs by Tsao & McKown, Grethe Sørensen, Kevin Walz and Boym Partners have all debuted in the past few years, with several additional, internationally respected designers lined up for the coming years. While offering a diverse product line—materially and stylistically—is in keeping with Wolf-Gordon’s “DNA,” the Design Studio continues to develop new work that is provocative, inspiring, and of our time. As a company that speaks to interior designers, we seek to challenge with unexpected ideas for interior finishes, and have deliberately avoided historic reissues. The once daring collections we’ve developed have become contemporary classics, and we’ve had the privilege of introducing independent “voices” from around the world to the American market.

For best viewing experience, please rotate your device.